It doesn’t have the widest range or provide the absolute sharpest image. But the Olympus M.Zuiko Digital ED 12-45mm f/4 PRO Lens is an all-in-one workhorse that does a wide range of tasks. But on the other hand, the constant f/4 aperture across the entire zoom range is a bonus. However, people who shoot with it will want to remember that since there is no internal zoom, the lens element sticks out more as you zoom in which can affect balance on gimbals and other stabilizers.
The lens is handy for any micro four thirds shooter, covering a respectable range of lengths with a decent max aperture.Īs one of the physically smallest lenses in Olympus’s entire PRO line, its compact size makes it friendly for many environments. If you need a micro four thirds zoom that’s friendly on the wallet, look no further than the Olympus M.Zuiko Digital ED 12-45mm f/4 PRO Lens. Olympus M.Zuiko Digital ED 45mm f/1.2 PRO Lens
The aperture ring itself is click-less, making for smoother transitions when adjusting it while shooting.Īll in all, if you’re shooting micro four thirds, it’s hard to get more bang for your buck than the Meike MK 25mm f/1.8.
With a range of f/1.8 – f/16, this glass is fast enough for most low light situations, although it should be noted that videographers would do well to keep strong ND filters on hand for shooting with it in daylight. But it has a surprisingly sturdy metal build that feels solid in the hand and impressively sharp image quality stretching from corner to corner. With an equivalent focal length of 50mm on full-frame, this lens could easily be thought of as the MFT version of a ‘thrifty fifty.’ It fills a key spot in lens kits with a classic focal length that is similar to the average human field of view.įor the $75 price, you might not expect the solid metal build. The Meike 25mm f/1.8 packs a huge punch into a compact and affordable package.
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